This African Tribe Cover Themselves In Mud So As To Look Like Ghost So As To Scare Other Tribes, See If It Works

The term “Mudmen” of Papua New Guinea’s Asaro tribe, also known as the Holosa, refers to a tradition of a costume centered around masks made of mud. They live nearby the village of Goroka in the Eastern Highlands Province of Papua New Guinea.

Legend is that they were defeated by an enemy tribe and forced to flee into the Asaro River. They waited until dusk before attempting to escape. The enemy saw them rise from the muddy banks covered in mud and thought they were spirits. Most tribes in Papua New Guinea are very afraid of spirits, so the enemy fled in fear, and the Asaro escaped.

They then went into the village to see what had happened, not knowing the enemy tribesmen were still there. The enemy were so terrified they ran back to their village and held a special ceremony to ward off the spirits.

The mudmen could not cover their faces because legends say that the people of Papua New Guinea thought that the mud from the Asaro river was poisonous. So instead of covering their faces with this alleged poison, they made masks from pebbles that they heated and water from the waterfall.

The masks have unusual designs, such as long or very short ears either going down to the chin or sticking up at the top, long joined eyebrows attached to the top of the ears, horns and sideways mouths.

These mud-covered men are not aiming for the perfect complexion, they slap on the brown stuff because they believe it makes them look like spirits and it terrifies the other indigenous groups in the area. One of many groups scattered on the highland plateau for over a millennium, they are isolated by harsh terrain and were only discovered around 75 years ago.

According to research in September 1996 already by Danish anthropologist Ton Otto from Aarhus University the ‘Asaro Mudmen Tribe’, the ghostly masks and body paint, and the corresponding origin story about it are an elaborate mythology created by native Asaro Valley villagers in the 1950s to be performed for tourists.