In the latter months of 1968 and 1969, when hundreds of people hid in the dark to escape the perils of the Nigerian Civil War, the Ogbunike caves presented many options. For the locals and soldiers who hid and lived there for days and weeks in some cases, it was familiar territory; a complex maze of caves that outsiders could never understand.
It was not the first time that the Ogbunike caves offered a place for hiding; it is said that slave traders in pre-colonial times hid in the caves from which they planned and executed slave raids.
The safety and refuge that the caves have provided across history are partly why they hold special importance to the indigenes of Anambra and the East of Nigeria, to an extent.
The Ogbunike caves are actually a system of many caves linked together by small, tunnels and passages. They take their name from Ogbunike, a town in Oyi Local Government Area of Anambra State where they are situated.
The main cave consists of a massive structure with a big open chamber of about 5m high, 10m wide and 30m long at the entrance.
Beyond their storied history as a place of refuge, the Ogbunike caves have an important spiritual heritage that dates back many years before the white man first set foot on African soil, to a time when they worshipped in its darkest recesses.
It is said that the Ogbunike caves were discovered by a man named Ukwa, from the Umucheke family of Ifite-Ogbunike, about 4000 years ago.
Legends claim that the caves were created by a deity, Ogba, who they believe lives within.
The Ogbunike caves draw much of their spiritual significance from this belief. Some of the indigenes still come there to worship and they point to many phenomena in and around the cave as proof of their beliefs.
Within the caves, there is a large colony of harmless bats of various sizes that seem to stand as guardians of the structure. The water around the caves is also thought to be divine. A stream flows out from one of the cavesâ tunnels into River Nkissa, a rapidly flowing river at the foot of one of the cavesâ exits. Water drops perpetually from the roof of the caves at many points; spiritualists believe that it is healing water and many come to collect it for varying purposes.
A male tour guard Black Mamba reportedly told one of the tourists about three small passages to of a section of the caves. âIf you want to see crocodile, tortoise and talking stone, you will go through this placeâ, he said, pointing towards three small tunnels.
The indigenes call the talking stone, “Nwanyi Akpanyi”.
Whether you believe these things or not, the Ogbunike caves have taken on an essence that makes them different from any random naturally-occurring underground structure within or without Nigeria. As such, there are rules, provisions, and celebrations that seek to preserve their sanctity and honour their significance in times of old and nowadays. One cannot leave the caves by the same entrance they came in. This is not negotiable; visitors have to wriggle and crawl their way through until they are led to another passage.
As the Igbo say âIman gaba iru inokata gaba azuâ. In English, one does not begin a journey and suddenly decide to turn back. Luckily, there are many other points of entry and exit, and the journey out can be very short if need be.Â
Women cannot enter the caves while on their monthly cycles; and all visitors, regardless of status and age, must take their shoes off before entering.
Spectators were said to have been surprised when a former governor of Anambra State visited the caves and was asked to tale his shoes off. He obeyed without question.
Every year, locals hold the Ime Ogbe festival in celebration of the caves and its spirits that attract visitors from around the state and beyond.
In some ways, the substance of the Ogbunike caves have made their way into modern times, but not as much as one would expect. The caves have become a location of interest for movie directors looking for a bit of the mysterious and natural. In 2013, much of the seminal Nollywood movie series, Idemili was shot at the Ogbunike caves.
In 2007, UNESCO added the caves to their tentative list to be considered as a World Heritage Site, after it was submitted by the Nigerian Commission for Museums and Monuments. The Anambra State has also contributed to the preservation of the site, but what has been left undone, leaves much to be desired.
The site has been protected from the threat of urbanization to a large degree; there are large boundaries, about 20 hectares on all sides, between the caves and the closest human settlement.
In the valley that leads to the mouth of the caves, there is a lengthy walkway of 317 steps that are said to behave constructed by the Anambra State government in the 1990s. Besides the steps, there is nothing that offers ease of access and navigation for visitors and tourists. Within the caves, there are no lights to show the way or vents to make the experience easier for claustrophobic visitors.
The tour guides are said to have a great deal of knowledge about the caves, but there is no training on how to deal with tourists or adequate remuneration to motivate them to offer visitors a sterling experience. The result is that they can be hostile and dismissive at times.
There is no doubt that the Ogbunike caves have major tourist potential, both for their history, novelty and the many mysteries that lie within its dark chambers. Also, more must be done to accentuate its unrivalled beauty and invite visitors to enjoy what is undoubtedly one of natureâs more impressive wonders.
